Claims

The three selected Erzurum folk songs are modal works analysable into maqam structures and viola playing techniques

Claim · All claims
Evidence · 1 study · causal r1 · q1
Currency · newest study 2017 · not yet checked against its sources · not reviewed by a person

Subclaims

Reading the evidence codes

q is the design tier, i the impact, n the sample, and the kind with its r the rigour judged within that kind: what each code means.

This claim: no standardized effect is recorded in observations/ for it yet, so no benchmark reading is possible.

q1 i? Content analysis showed "Aya Bak Nice Gider" is harmonious with Nikriz maqam while "Bir Gül Ektim Duvara" and "Çitin Ucu Değirmi" are harmonious with Rast maqam, with identified rhythms, nuances and right-hand techniques. → Gökalp Parasız 2017

Evidence

Gökalp Parasız 2017

Gökalp Parasız, M. Hanifi Kervancıoğlu. (2017). The Usability of Erzurum Folk Songs in Viola Education. Journal of Education and Practice, Vol.8, No.8. https://eric.ed.gov/?id=EJ1139085

q1 · i? · causal · r1

Descriptive content analysis of the three randomly selected songs for modal structure and playing techniques; the analysis identified maqams (Nikriz, Rast), rhythms such as 4/4 Sofyan and 9/8 Aksak, and techniques including Legato, Staccato, Detache and Martele.

"The song “Aya Bak Nice Gider” is sol decisive in tr aditional Turkish Art Music and harmonious with Nik riz maqam for its trend character, decision and tempora ry stays. The song “Bir Gül Ektim Duvara” in tradit ional Turkish Art Music is sol decisive and harmonious wi th Rast maqam due to its characteristic of melodic cruise, decision and temporary stays."

Discussion

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