Theories

Mead's three phases of the act: emotional, aesthetic, and intellectual

Theory · All theories
Evidence · 1 claim (1 for) · 1 study (1 theoretical), q1 · 0 of 1 report an effect size · 1 claim rests on one study

Description

In the reconstructed lectures Mead distinguishes three phases in the development of the act. In the emotional phase there is not yet perception of objects; the article reports Mead's view that "emotion is the beginning of the object", since the emotional response holds one to the object. In the aesthetic phase attention turns to the object as a sensuous whole, and in the intellectual phase analysis constructs "an object for activity". Each phase is preparatory for the next: the aesthetic object organizes perception before reflection takes place. The article also reports that the phases can be read as three possible ways of resolving a conflict of action, so a reflective solution is a possibility but not a necessity.

Design Implications

Context

Requirements

Constraints

Target Learners

Target Learning Objectives

Claims

Examples

-

Key Sources

Page metadata
Field Value
type theory
title Mead's three phases of the act: emotional, aesthetic, and intellectual
description In the reconstructed lectures Mead distinguishes three phases in the development of the act.
status review
generated by process:wiki-ingest on 2026-09-26
trust unverified — no one has confirmed this page's content
sources 1 — biesta-1997

Frontmatter is the page's machine-readable record — see the Schema & Guide.