Molnar's random-sampling method: synthesis of rules and no-rules toward a higher order of symmetry¶

Theory · All theories
Evidence · no claims cited

Description¶

Vera Molnar's computer-based artistic method treats randomness as a viable approach to artistic expression rather than as chaos or disorder. After selecting simple regular geometric forms by subjective taste, the artist may follow classical rules of composition, reject all rules to look for new structures in chaos, or achieve a synthesis of rules and no rules. As the paper states, "What random systems seem to offer the artist/designer is the opportunity to achieve in that new synthesis of rules and no rules, a higher order; a higher level of symmetry." The computer models possible virtual pictures, and Molnar samples randomly from these possibilities, selecting among them by the canons of classical art.

Design Implications¶

Context¶

Requirements¶

• Computer-based graphics systems capable of generating random samples of virtual pictures
• A prior selection of abstract geometric forms by the artist

Constraints¶

• Perceptual symmetry is not always identical to mathematical symmetry; aesthetically pleasing computer-generated patterns need not be mathematically symmetrical

Target Learners¶

• higher education art and design students

Target Learning Objectives¶

• using randomness and computer tools in artistic composition and design exploration

Claims¶

Related Theories¶

• Minai's order-disorder framework for aesthetic environmental design

Examples¶

• Eckersley's design helper computer programs

Key Sources¶

• McWhinnie, Harold J. (1991). Chaos Theory in the Arts and Design. https://eric.ed.gov/?id=ED368622